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Jamison Law Group

Posted on August 19, 2010.
Jamison Law GroupThe copyright, the creative experience and Graphic

It is there - the young art student - in the corner, wearing a slouch, worn blue jeans and ironic t-shirt disappeared, standing before the canvases he presented to the class spectacle this month, and Large blue, Sci-fi landscapes, which by far are beautiful. They resemble the heavenly, undulating landscape space of sky and the stars.

But spend five steps closer, and the illusion vanishes. It is in the corner, yes, but the slouch is affected - it would be more comfortable standing up straight. His wearing jeans blue? Brand new, but difficult. Its ironic t-shirt? This time the most noble badge of belief indie? It was sold at Urban Outfitters in the street for a month. And the paintings - the paintings! Up close, they appear as copies of these impressions Gross also in promoting Salvador Dali calendars sold at Barnes and Noble: line break, colors muddy, uninteresting ideas.

What's offensive is not the young student to ask, at least he tries to do something with his image. And the tables, while bad, are not as bad as the scholarship of art would be threatened. No, what is more worrying is that he does not know he asks, does not know that the material he so carefully cultivated as "hers" are not. It exuding "originality" of the most culturally acceptable, perhaps the only way he knows: he buys.

The shelves of products that our young hero travels in his off-time all copyright, patent, or "pre-approved" consumer - to give the impression that he has freedom of choice, while in fact, its freedoms are limited. 'You have a problem? Use this cream for the face. Buy a car. Wear these jeans. "

These are his only options. We should feel pity for him - after all, he lived in Pasadena all her life, he does not know. That's what he thinks is edgy. Because he has taste, he does with what he has. But because he is young, he is a little too proud. Low skilled individuals to each other: his shirt off-white? With the drawing of a boy with a red beard, holding almost seven bottles of bear, stating, "Irish seven-course meal?" Done. "His jeans? $ 700, disappeared in all the right places, does not life a few cases. Oh no, they cry:" Mommy buys my clothes! " And art. Oh God, art.

What can save our young hero, apart from extended sitting sessions with Roland Barthes or perusal concentrate Frederick Jamison (both of which are for the most part impossible to understand at that age)? That can rip the cover of ignorance, the liberation of the young artist that most hated of credit - derivatives? Ready? Here's the answer - and it's not drugs, religious experiences, or travel the world. The answer is that we must study and learn the copyright laws of the United States.

And to learn the copyright laws of the United States, we must first know what a copyright is. Here are simple definitions, according onelook.com:

# noun: a document of the grant of exclusive right to publish and sell literary, musical or artistic
# verb: to obtain a copyright in a work written

Why knowledge of the legal precedence of copyright for a young artist? Because in order to create a good artist should know as much as possible on its tools. This means not only the origins of its thin brush, or the interesting history of the chemistry of pigments, but to examine the social and political tools that will enable it to function as an artist in the United States in 2007.

Thus, while copyright is not as glamorous as brushes or paint, it is nonetheless important. For the copyright in the secret of what to do next. And what d.

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